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At Long Last Love
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At Long Last Love

Description
Four socialites unexpectedly clash: Brooke Carter, an indigent woman, runs into an Italian gambler Johnny Spanish at the race track while millionaire playboy Michael O. Pritchard nearly runs into a star singer Kitty O';Kelly with his car. Backstage at Kitty';s show, it turns out she and Brooke are old friends who attended public school together. Later on, Michael and Brooke fall in love, and Kitty and Johnny decide to follow them around. In order to make Brooke and Michael jealous, they try to look like they are falling in love as well. Eventually, Michael and Johnny get into a fight but then immediately make up. Soon, Brooke and Kitty make up. The two couples pair off successfully and they live happily ever after.
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At Long Last Love
CRITICS OF "At Long Last Love"
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Film4
Resource

May 13, 2006

Cole Porter fans, steer clear. Actually, everybody steer clear.
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Movie Metropolis
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June 19, 2013

It's not just the acting. There's no chemistry, and very few Cole Porter songs are performed in such a way that you'd guess would make the old lyricist happy. 'You're the Top'? Not with this group doing the singing.
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Time Out
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June 24, 2006

It's an indulgent movie -- Peter and Cybill having a lark with their friends -- but it's also a neat parody of '30s musicals.
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Film Threat

May 09, 2006

Burt Reynolds and Cybill Shepherd sing and dance...badly! But the lively supporting cast and the art deco production design deserve merit.
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New York Times

May 13, 2006

At Long Last Love never quite sinks, but then it never leaves the pier.
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Mountain Xpress (Asheville, NC)
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July 02, 2013

Looked at today, without the baggage of 1975, At Long Last Love is much more artistically successful than is generally allowed.
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TIME Magazine
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August 17, 2010

This Cole Porter coloring book, mounted with great expense and no taste, is one of those grand catastrophes that make audiences either hoot in derisive surprise or look away in embarrassment.
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TV Guide
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August 17, 2010

This foolish attempt at re-creating the lush musicals of the 1930s offers fabulous art deco sets, memorable Cole Porter songs, and slick production values, yet it goes down like a stricken elephant.
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Chicago Sun-Times
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May 13, 2006

The movie's no masterpiece, but I can't account for the viciousness of some of the critical attacks against it.
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Examiner.com
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July 15, 2010

But as they say, when all you have to recommend in your musical is a hairy chest, you're in trouble.
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Variety
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March 26, 2009

A disappointing and embarrassing waste of talent.
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Chicago Reader
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May 13, 2006

A daring experiment that failed.
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