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Far from the Madding Crowd (1967)
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Far from the Madding Crowd (1967)

Description
The movie focuses on willful, flirtatious Bathsheba Everdene, a beautiful young woman who inherits a picturesque farm from her uncle and is romantically pursued by three very different men.
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DIRECTORS OF "Far from the Madding Crowd (1967)"
Far from the Madding Crowd (1967)
CRITICS OF "Far from the Madding Crowd (1967)"
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Daily Telegraph (UK)
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March 13, 2015

Everything in this extraordinary evocation of island life is seasonal; these folk, their affections and fortunes, shift with the winds and tides.
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ColeSmithey.com
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April 29, 2015

[VIDEO ESSAY] Visually lush, and powerfully acted by a quartet of England's finest actors, John Schlesinger's "Far From the Madding Crowd" is admirable in spite of its imprecise narrative focus and flaws in its direction.
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TIME Magazine
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May 09, 2013

[Schlesinger] displays the best sense of Victorian time and place since David Lean in Great Expectations.
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Little White Lies
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March 12, 2015

It's maybe not up there in the pantheon of British classics, but there's something highly relaxing and radical about the fact that Schlesinger articulates this classical story with breathy longeurs ...
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Variety
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July 06, 2010

Christie has few real opportunities to branch out of her rather muted and pouty lead.
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Daily Telegraph (UK)
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May 12, 2015

With the emphasis on plot rather than character only Julie Christie finds a part she can turn round in, suggesting convincingly Bathsheba's curious combination of coquetry with integrity.
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Time Out
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March 09, 2015

One of the most entrancing and elemental landscape films ever shot in these isles.
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Observer (UK)
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March 15, 2015

Splendidly lusty fare, its feet deep in the mud of the English countryside, its head in the lens-flared glare of a dreamy tragi-romantic sky.
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Time Out

January 26, 2006

Another classic bites the dust.
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London Evening Standard
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March 13, 2015

Mostly this is a triumph ...
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Chicago Reader
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May 09, 2013

Thomas Hardy was not the most dynamic novelist in English literature, but this sluggish 1967 film still does him a serious disservice.
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New York Times
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May 09, 2005

Pictorially excessive but dramatically barren.
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