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Lovesong

Description
Neglected by her husband, Sarah embarks on an impromptu road trip with her young daughter and her best friend, Mindy. After them becoming physically intimate on the trip Mindy leaves abruptly. After three years of silence Mindy invites Sarah to her wedding and the two reconnect.
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Lovesong
CRITICS OF "Lovesong"
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Slant Magazine
Resource

February 12, 2017

So Yong Kim's film ultimately manages a convincing articulation of friendship between women.
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L.A. Biz
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February 17, 2017

A simple, though achingly insightful, story that illuminates the intense, complicated affection between girlfriends with sensitivity and restraint.
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Time Out
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February 17, 2017

Kim's latest -- like Carol made on an indie budget -- is split in two exquisite halves.
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Movie Talk
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October 16, 2016

There's nothing clear-cut about Sarah and Mindy's feelings for one another and Lovesong conveys the complexity of their emotions with tenderness and restraint.
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indieWire
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February 17, 2017

The overall effect is one of a disjointed love story that can never quite find the tune, no matter how skilled its players.
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NYC Movie Guru
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February 19, 2017

Tender, poignant and refreshingly true-to-life. Riley Keough and Jena Malone give raw performances. It's more powerful than Moonlight!
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Los Angeles Times
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March 06, 2017

A character study of this relationship, casually yet carefully sketched out by Kim in subtle but meaningful gestures and glances. Much is communicated through the eyes, searching for answers in the void of what's not said, but felt.
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Film Journal International
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February 16, 2017

Discretion is the better part of boredom here.
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RogerEbert.com
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February 17, 2017

Kim has wisely provided her two stars with enough breathing room to bring her movie to life.
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Austin American-Statesman
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February 14, 2017

I think it's [So Yong Kim's] strongest picture yet and proof that even with a small budget, the right casting decisions can take a project from good to great.
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TheWrap
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February 17, 2017

There are glances and nervous hands, longing gazes, and downcast faces needing explanation or consolation. Malone and Keough, perfectly cast and perfectly in sync as people who should be - but probably never will be - lovers, make sadness seem enticing.
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New York Times
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February 16, 2017

Little is resolved, and it will leave you contemplating the mysteries of relationships.
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