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Paid In Full
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Paid In Full

Description
An Afro-American, Ace has a job at the laundry, where he is allured by the wealth of Mitch, his friend. Mitch gets imprisoned and Ace starts to create an illegitimate kingdom but soon his conscience starts kicking in.
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DIRECTORS OF "Paid In Full"
Paid In Full
CRITICS OF "Paid In Full"
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Boxoffice Magazine
Resource

November 03, 2002

For a rapsploitation film to target and frown upon the darker forces of its nature is certainly a good sign for the maturation of the genre.
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TheMovieReport.com
Resource

January 27, 2009

Harris and Phifer's chemistry lends the inevitable tragedies some genuine punch.
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San Francisco Chronicle
Resource

October 25, 2002

Needed a little less bling-bling and a lot more romance.
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Entertainment Today
Resource

October 28, 2002

Very familiar, yes, but a stylish and above all well-acted tale of friendships gone sour and the inevitable steep price of crime -- a much better movie than it's ever going to get credit for.
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New York Post

October 25, 2002

Rings true, from the smooth dialogue to the unaffected performances of the central actors.
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Ozus' World Movie Reviews
Resource

May 12, 2017

hough it shows bling, strong feelings for the inner city and the acting is solid, the derivative story won't knock you out.
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Ebert & Roeper

October 29, 2002

I'm going to give it a marginal thumbs up. I liked it just enough.
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ColeSmithey.com

November 21, 2005

"Paid In Full" is not the kind of movie that George W. Bush will ever see.
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Entertainment Weekly
Resource

October 25, 2002

A fake street drama that keeps telling you things instead of showing them.
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Arizona Daily Star
Resource

November 15, 2002

Stone seems to have a knack for wrapping the theater in a cold blanket of urban desperation.
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Seattle Times
Resource

October 25, 2002

This familiar rise-and-fall tale is long on glamour and short on larger moralistic consequences, though it's told with sharp ears and eyes for the tenor of the times.
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Hollywood Reporter

October 25, 2002

It does offer an uncommon thoughtfulness that makes it far less exploitative or sensationalistic than most examples of its genre.
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