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The Captive

Description
9-year-old Cassandra disappears suddenly which causes her father Matthew becoming the prime suspect. 8 years later, a series of incidents happen that indicate she is still alive. Police and her father Matthew continue to reveal the case and rescue Cassandra.
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DIRECTORS OF "The Captive"
The Captive
CRITICS OF "The Captive"
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Cinema Tradicional
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April 24, 2015

In a sea of superhero movies, romantic comedies and horror, The Captive, is a good choice for those looking to go a little beyond simple entertainment. [full review in Spanish]
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Correcámara
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May 05, 2016

An efficient film with good elements but not enough to surprise anybody. [Full review in Spanish]
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RogerEbert.com
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December 12, 2014

"The Captive" may appear to bite off a little more than it can chew but it's one of the most satisfyingly baroque thrillers of the year, and thanks to a perfectly judged performance by Ryan Reynolds, it's quietly heartbreaking, too.
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En Filme
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April 20, 2015

Egoyan trusts his talent to play with mystery, but also relies on the public to gradually put together a puzzle made of family drama and the suspense of a thriller. [full review in Spanish]
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New York Times
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December 11, 2014

The infuriatingly vague and downright strange story banishes the haunting delicacy of mood that Mr. Egoyan has conjured so successfully in the past.
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The Film Stage
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June 06, 2016

Aggressively stupid when it's not downright illogical, it is hard to imagine a film less deserving for a competition slot at this year's Cannes than The Captive, a subpar Law & Order episode at best.
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Philadelphia Inquirer
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December 19, 2014

For all its problems, The Captive does try to hit the themes that have obsessed Egoyan for three decades: desire, death, memory, and time.
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South China Morning Post
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April 10, 2016

The Captive revels in its own nastiness and makes for a highly unpleasant watch.
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AV Club
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December 11, 2014

The structural gamesmanship is just a smokescreen, a way to obfuscate the pulp nature of what is, ultimately, little more than a glorified, low-aiming potboiler.
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Reel Film Reviews
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January 14, 2016

The end result is an effort that falls right in line with Egoyan's passable yet disappointing run of recent films...
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Los Angeles Times
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December 18, 2014

Becomes baroque and ludicrous as the Hitchcockian scenario loses its psychological bearings in a web of trashy plot twists and self-conscious jumps in time.
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New York Daily News
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December 10, 2014

Surely an Oscar-nominated filmmaker like Atom Egoyan ("The Sweet Hereafter") can do better than this nasty and unconvincing thriller.
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