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True Romance
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True Romance

Description
Clarence is a Kung Fu fan and maybe is on his way to reaping the trophies. After a while, Clarence 's life changes when he meets a whore called Alabama. Alabama is the girl who was able to change the life of Clarence to the worst, where Clarence began to take drugs by mistake. The couple decided to move to California, plan to sell the drug and enjoy the good life in South America. But in the end they may be caught in a trap by a group of underworld figures as well as police.
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True Romance
CRITICS OF "True Romance"
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Reel Film Reviews
Resource

January 01, 2013

...a pulpy good time that holds up remarkably well two decades after its theatrical release...
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Times (UK)
Resource

November 19, 2015

Quentin Tarantino's dirty, funny and unpredictably violent genius powers True Romance, directed by Tony Scott.
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Time Out
Resource

June 24, 2006

If the romance seldom seems 'true', the spiralling violence (script, Quentin Tarantino) does succeed, in a brutish, cod-Jacobean kind of way.
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PopMatters
Resource

August 23, 2012

...[a] violently funny genre mishmash that gave Tony Scott's new life, and also transmitted Quentin Tarantino's vision more credibly than the screenwriter and then-novice director could have done himself.
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New York Times

May 20, 2003

This film's various outrages are committed unapologetically, and are very much in the service of its bizarre story.
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Observer (UK)
Resource

November 22, 2015

This is the best film Quentin Tarantino never made.
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TIME Magazine
Resource

August 16, 2009

If shoot-'em-up, gobble-'em-down movies like The Fugitive and Jurassic Park are rated PG-13 these days, what does an R-rated action adventure look like? Like True Romance: violent to a fault, glam to the max.
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Guardian
Resource

November 19, 2015

The whole thing rattles along like that pink Cadillac they're driving.
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Rolling Stone

May 12, 2001

It's Tarantino's gutter poetry that detonates True Romance. This movie is dynamite.
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Antagony & Ecstasy
Resource

July 22, 2013

The only thing that goes wrong with the movie is Christian Slater... the failure of its central character ends up being an irritation, but not a film-crippling problem.
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Variety
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November 19, 2008

Provides some amazing encounters, bravura acting turns and gruesome carnage. But it doesn't add up to enough.
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Washington Post
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January 01, 2000

The movie may be stylistically visceral, but it's aesthetically corrupt. It might as well have been called Pump Up the Violence.
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